Go Write Your Book:
- $622/credit, plus residency fees
- Each term begins with a weeklong residency
- Award-winning, nationally recognized faculty
- Only about 16 students per cohort
- Alumni have gone on to win major prizes
- Curriculum designed to help each student complete a publishable book
Low-Residency MFA Program Overview
Write the book you're meant to write, as you earn your Mountainview Master of Fine Arts (MFA) in Fiction or Nonfiction.
Our two-year, low-residency program allows students to live anywhere and work a full-time job. We never allow the number of students to exceed 65 total – about 16 per cohort – so our students develop close and sustaining relationships with faculty during our intensive weeklong residencies in June and January.
For two weeks each year, at the Mountain View Grand Resort
in the heart of New Hampshire's White Mountains,
you'll get the inspiration you need to write your story.
During the rest of the year, our students work with faculty one on one, receiving thorough, regular editorial letters supplemented with video calls.
Our two principal goals:
- Create a close and vibrant writing community
- Graduate every student with an excellent manuscript in hand
Students choose to focus on fiction or nonfiction. Some choose specializations like young adult fiction and environmental writing.
Our full-time faculty members have won numerous awards, published multiple New York Times Bestsellers, and received international acclaim in every literary category from young adult to lyric essay to crime. Their work appears in such forums as The New Yorker, Harper's, The New York Times Magazine and Best American Short Stories.
Our faculty members, often referred to as "mentors," work to help each student find a literary voice, master their craft and produce a book-length manuscript of high literary quality.
With a Mountainview MFA, you'll get:
- An award-winning, nationally recognized faculty
- Great flexibility of schedule
- A curriculum designed to help each student finish an excellent, publishable book
- A vibrant and supportive creative writing community
- Visiting agents and editors from the best agencies and publishing houses at each residency
- Faculty members who specialize in young adult literature and environmental writing
- An annual writing contest whose winner is published in the university literary magazine
- Awards and scholarships
- Highly competitive tuition costs
The Benefits of a Low-Residency MFA
Hear more about how Mountainview MFA students get the opportunity to engage with other writers, work with their mentors and take in the stunning views of northern New Hampshire.
Start Your Journey Toward a Low-Residency MFA
Why SNHU for your MFA in Creative Writing
As a low-residency program, the only set class times you'll have are during your weeklong residencies. This gives you the opportunity the rest of the year to create a writing schedule that works for you.
Take advantage of some of the lowest tuition rates in the nation, plus financial aid for those who qualify.
There are also a number of scholarships available just for students in the Mountainview MFA program.
Founded in 1932, Southern New Hampshire University is a private, nonprofit institution with over 100,000 graduates across the country. SNHU is regionally accredited by the New England Commission of Higher Education (NECHE), which advocates for institutional improvement and public assurance of quality.
Our opportunities to join the ranks of fellow writers include:
- History of students finding agents and editors through our residencies and faculty.
- Being published in Assignment, the MFA program's own literary magazine.
- Joining Word for Word, our bimonthly live-streamed event, to hear published authors read their work aloud and discuss both their creative process and their path to publishing success.
- Entering our annual short-story competition – the Fall Fiction Contest – for the chance to win SNHU scholarships and other prizes.
SNHU requires an undergraduate grade point average (GPA) of 2.75 (or equivalent) for admission.
How to Apply
Acceptance decisions are made twice a year for our two graduate terms:
- Application deadline for January cohort: Oct. 30
- Application deadline for June cohort: April 30
Here's what we need prospective students to submit:
- The Mountainview MFA application. (Note: The $40 application fee has been waived through the COVID-19 pandemic.)
- An official transcript from the college or university that conferred your bachelor's degree. Send transcripts to email@example.com.
- An 800- to 1,000-word personal statement describing your writing experience and the nature of your commitment to writing. Include your assessment of why you're a good candidate for the program. We're always interested in learning about a candidate's academic, personal and professional experiences.
- A 20- to 30-page, double-spaced writing sample, using 12-point font, in fiction or nonfiction. Your writing sample may consist of a novel excerpt, a story or multiple stories, if fiction – or a memoir excerpt, a creative essay or multiple creative essays, if nonfiction.
- Two letters of recommendation from people capable of assessing your ability to work independently and your preparation to succeed in an MFA program.
- All documents should be sent to firstname.lastname@example.org.
Residencies are weeklong, twice-yearly periods of intense study, in which all students and faculty gather at the Mountain View Grand Resort in the White Mountains of New Hampshire.
The summer residency takes place in June, with the winter residency held in January. Students arrive on a Sunday and leave the following Sunday for all 4 of their residencies. The daily schedule looks like this:
- Mornings: Students divide into small groups to discuss one another's writing. These groups are known as peer workshops. Each workshop is led by two faculty members.
- Early afternoons: After lunch, faculty give seminars on different points of craft, and then students attend talks and readings by visiting authors, editors and agents.
- Early evenings: Each student meets one on one with his or her faculty mentor to devise an individualized curriculum for the coming semester. Students give short readings before dinner.
- Nights: After dinner, the faculty read from new work. Many critically acclaimed novels and oft-anthologized stories and essays made their debuts at residency while works in progress.
The residencies are set at the picturesque Mountain View Grand Resort, which overlooks the Presidential Range and sits on 1,700 acres of pristine land.
Built in 1865, the resort has a rich literary, artistic and political history. Charles Dickens spent several days there during an American tour, performing scenes from his novels, gaslights overhead, stage backlit with a muffled screen, windows open to moonlight and mountain breezes.
Ralph Waldo Emerson, Robert Frost and Norman Rockwell turn up on old guest registers, as do Betty Grable, Bette Davis, the Marx brothers and presidents Grover Cleveland, Warren Harding, Calvin Coolidge, Franklin D. Roosevelt and Dwight Eisenhower.
And for years, lore had it that the resort was the inspiration for Stephen King's "The Shining." (That distinction belongs to the Stanley Hotel in Colorado, but the confusion is understandable.)
You'll find plenty of activities here. In the summer, there's golf, tennis, fishing and hiking – one path offers views of Scottish highland cattle grazing. And in the winter, there's ice-skating by day or night, and guests can travel the groomed trails on snowshoes or cross-country skis.
Other amenities include indoor and outdoor pools, a large gym and a 17-seat movie theater.
There is also a working farm, full of alpacas, goats, chickens and rabbits. The farm provides the hotel's eggs and vegetables, and it produces a distinctive Mountain View Farm Blend of wool and yarn.
Included in your residencies are breakfast and dinner buffets. You'll find plenty of inexpensive lunch options, as well.
2021 Summer Residency: June 20 - 27
Application deadline: May 15, 2021
2022 Winter Residency: January 9 - January 16
Application deadline: October 1, 2021
The Mountainview MFA program makes a number of scholarships available for its students. The program also awards other scholarships and fellowships at the director's discretion.
Mountain Scholarships ($2,000): Mountain Scholarships are awarded by the director to students whose writing samples show extraordinary literary merit. A Mountain Scholarship may be renewed semester by semester.
Residency Scholarships ($1,000): Residency Scholarships are applied toward the residency fee for the term. They are awarded by the director to students with superior writing samples. A Residency Scholarship may be renewed term by term.
Our full-time faculty members have won many awards. Learn more about the writers who work with our MFA students.
Director of Mountainview MFA, Associate Professor
Benjamin Nugent, director of the Low-Residency Mountainview MFA in Fiction and Nonfiction, is the author of the novel "Good Kids" (Scribner) and the cultural history "American Nerd" (Scribner). His short stories have appeared in The Paris Review, Tin House and Vice and been anthologized in "Best American Short Stories" and "The Unprofessionals: New American Writing from the Paris Review."
His journalism has appeared in The New York Times Magazine, The New York Times Op/Ed Page, Time, GQ, The Washington Post, The Atlantic and n+1.
He earned his bachelor's in English from Reed College, and he was an Arts Fellow at the Iowa Writers' Workshop, where he earned his MFA in fiction.
Rachel B. Glaser
Rachel B. Glaser is the author of the story collection “Pee On Water,” the novel “Paulina & Fran” and the poetry books “Moods” and “Hairdo.”
In 2017, she was on Granta’s list of Best of Young American Novelists. Her fiction has been anthologized in “30 Under 30” and “New American Stories.”
She lives in Northampton, Massachusetts.
Amy Irvine is a sixth-generation Utahan and longtime wilderness advocate, who for seven years worked for the Southern Utah Wilderness Alliance.
Her work has appeared in Orion, Climbing, High Desert Journal and in numerous western, nature and environmental anthologies.
Irvine's first book, ''Making A Difference: Stories of how our Outdoor Industry and Individuals are Working to Preserve America’s Natural Places,'' was one of three books featured in the Washington Post for Earth Day, 2002. Her second book, ''Trespass: Living at the Edge of the Promised Land'' (Farrar, Straus & Giroux/ North Point Press), received the Orion Book Award and Colorado Book Award, while the Los Angeles Times wrote that it "might very well be ‘Desert Solitaire's’ literary heir."
In a starred review, Booklist characterized ''Trepass'' as "a penetrating critique of Mormon sovereignty" and called Irvine "bold and original in her thinking, candid and lyrical in expression," claiming that she "joins red-rock heroes Edward Abbey and Terry Tempest Williams in breaking ranks and speaking up for the living world." Her essay ''Spectral Light'' (Orion, January-February 2010 /The Best American Science and Nature Writing of 2011), was a finalist for the Pen Award in Journalism. Her third book, ''Terra Firma,'' is forthcoming from Counterpoint Press.
Irvine has taught nonfiction creative writing and memoir workshops throughout the West.
Jo Knowles is an award-winning young adult and middle-grade novelist.
Her books include "Living with Jackie Chan," "See You At Harry's", "Pearl", "Jumping Off Swings", "Lessons from a Dead Girl" and, most recently, "Read Between The Lines."
Some of her awards include a New York Times Editor's Choice and Notable Book, an American Library Association Notable Book, an IndieBound Summer Top 10, Amazon's Best Middle Grades, an International Reading Association Favorite, New England Children's Booksellers Advisory Top Title, two SCBWI Crystal Kite Awards, Kirkus's Best Teen Books, the PEN New England Children's Book Discovery Award and YALSA's Best Fiction for Young Adults. Her books have appeared on numerous state book award lists for schools and libraries.
Jo grew up in Meredith, New Hampshire, and earned her undergraduate degree at Simmons College, where she majored in English with a concentration in writing. She went on to earn a master's degree in children's literature from Simmons College.
She now lives in Vermont with her family where she writes, leads writing workshops for teens and adults, and visits schools and libraries to talk about books and writing with students of all ages.
Nadia Owusu '17
Nadia Owusu is a Brooklyn-based writer whose first book, “Aftershocks,” was published by Simon & Schuster in 2021. Her 2019 lyric essay chapbook, “So Devilish a Fire,” was a winner of The Atlas Review chapbook contest. She is the winner of a 2019 Whiting Award.
Her writing has appeared or is slated to be published in The New York Times, Lumina, Catapult, The Literary Review, Electric Literature, Bennington Review, Columbia Journal and The Rumpus, among other publications. She won second place in the 2017 Lumina nonfiction contest and received an honorable mention for the 2017 Gulf Coast Prize.
In addition to writing, she leads research and racial equity strategies at an economic racial justice organization. She earned her MFA in Nonfiction through SNHU’s Mountainview program, where she won the Robert J. Begeibing Prize for exceptional work. She previously earned her MS in Urban Affairs from CUNY Hunter College and her BA in Political Science from Pace University.
Lydia Peelle is the author of the short story collection "Reasons for and Advantages of Breathing," which was a New York Times Editors' Choice book and received an honorable mention for the 2010 PEN/Hemingway Award. Her debut novel, "The Midnight Cool," was published in 2017.
A 2009 National Book Foundation ''5 under 35'' honoree, a 2010 recipient of a Whiting Award and a recipient of the Anahid Literary Award for Armenian-American Writers, Peelle is a graduate of the MFA program at the University of Virginia and has received fellowships from the Fine Arts Work Center in Provincetown, the Corporation of Yaddo, the Ragdale Foundation and the Ucross Foundation. Her work has appeared in publications including The New York Times Book Review, Granta, the Sun, Orion and has been awarded two Pushcart Prizes, an O. Henry Prize and twice been featured in Best New American Voices.
Rebecca Schiff is the author of the story collection "The Bed Moved" (Knopf 2016), a finalist for an LA Times Book Award in First Fiction and a Sami Rohr Prize.
Her fiction has appeared in Electric Literature, n+1, The Guardian, Washington Square and BuzzFeed, and it was anthologized in The Best Small Fictions 2017.
She lives in Eugene, Oregon.
Katherine Towler is author of a trilogy of novels: ''Snow Island,'' ''Evening Ferry'' and ''Island Light.’’ Praised by the Boston Globe as "luminous and moving,'' ''Snow Island'' was chosen as a Barnes and Noble Discover Great New Writers title.
Towler is also the co-editor, with Ilya Kaminsky, of ''A God in the House: Poets Talk About Faith,” a collection of interviews with prominent American poets, and her memoir, "The Penny Poet of Portsmouth," was published by Counterpoint Press in 2016.
Her essays can be found in anthologies – ''Choice,'' a collection of essays by women writers on reproductive choices, and ''Writers and Their Notebooks.'' She has published poetry, short stories and interviews in The Sun, The Worcester Review, The Tusculum Review, and Poetry International, and she's received fellowships from the Bread Loaf Writers Conference, Yaddo, the New Hampshire State Council on the Arts and Phillips Exeter Academy, where she was the writer-in-residence. She completed an MA in Writing at Johns Hopkins and an MA in English literature from Middlebury College.
Robin Wasserman is the author of the novel "Girls on Fire" (HarperColllins). Her essays and reviews have appeared in the Los Angeles Review of Books, Tin House and The New York Times, and her short stories have been included in several anthologies, including "The End is Nigh," "Robot Uprisings" and "Press Start to Play."
A former children's book editor, she is also the New York Times and USA Today Bestselling author of more than 10 novels for young adults, including "The Waking Dark," "Hacking Harvard" and "The Book of Blood and Shadow."
Her books have appeared on the ALA, TAYSHAS, Kirkus, Locus and Booklist best of year lists; been named finalists for the CYBILS, Golden Duck, and Georgia Peach Awards; been adapted for a television miniseries; and been translated into nine languages worldwide.
Adam Wilson is the author of the novel "Flatscreen" (Harper Perennial, 2012), and the collection of short stories "What's Important is Feeling" (Harper Perennial, 2014).
His short fiction has appeared in The Paris Review, Tin House, Vice and The Best American Short Stories, among other publications. His essays, journalism and criticism have appeared in The New York Times Book Review, The New York Times Style Section, Bookforum, The New Republic, Tin House, NPR and at newyorker.com, among others.
A National Jewish Book Award Finalist and recipient of the Terry Southern Prize, he has taught regularly in the creative writing programs at Columbia University and NYU. He lives in Brooklyn with his wife and son.
Letter from the Director
In our program, it's traditional for students to refer to their professors as their "mentors." I like this tradition because it reminds faculty of what we aspire to be.
We don't want to be mere lecturers in craft, foisting the same lessons on every student. We are teachers who get to know each student one on one, face to face and in writing, and we tailor our instruction to our students' artistic needs.
Our weeklong summer and winter residencies take place at the Mountain View Grand Resort in Whitefield, New Hampshire. There, we faculty meet with our students (our "mentees") in workshops and seminars. The conversations tend to continue over meals and on the veranda, which overlooks the White Mountains.
After residency, the semester begins. Students send us their work every five weeks; we write thorough and precise editorial letters in response. We make ourselves available to discuss our students' writing beyond these regular exchanges, on the phone and by Gchat and email. No faculty member takes on more than four students at a time.
We're a young program, born in 2006, but we've already seen our students and alumni score book deals with major publishers, including Pantheon, Viking, HarperCollins and Simon & Schuster. One alumnus is a Guggenheim Fellow. One of our alumni was a finalist for the Los Angeles Times Book Prize/First Fiction Award.
From a substantial applicant pool, we accept a cohort of about 16 students each semester, maintaining a student-faculty ratio of 4:1. Students complete four residencies during the four-semester program, and work toward a Master of Fine Arts, a terminal degree that qualifies graduates to teach at the college level.
If you have questions about our program, please don't hesitate to contact our administrative director. If you have questions specifically for me, they will pass them along and I'll get in touch.
I look forward to hearing from you,
Many of our Mountainview graduates have gone on to success in the publishing world.
Notable alumni include:
- 2019 Whiting Award winner Nadia Owusu '17
- 2020 Edgar Award finalist John Vercher '16
- 2019 Pulitzer finalist Elizabeth Rush '11
- Lynn Safford Memorial Prize winner David Moloney '17
- Creative Workforce Fellowship recipient Kevin Keating '18
Learn more about Mountainview graduates and what they've accomplished:
Kevin Keating '18
After working as a boilermaker in the steel mills in Ohio, Kevin P. Keating became a professor of English and began teaching at Baldwin Wallace University and John Carroll University. His first novel, "The Natural Order of Things" (Vintage Contemporaries), was a finalist for the Los Angeles Times Book Prize, and his second novel, "The Captive Condition" (Pantheon), was launched at the 2015 San Diego Comic Con International.
Since starting the Mountainview Low-Residency MFA, Keating has been awarded the Creative Workforce Fellowship, one of the most substantive awards for writers in the United States, and the Cleveland Arts Prize, the oldest award of its kind in America and a testament to the standard of excellence and quality of artists in Northeast Ohio. Previous winners include Toni Morrison, Rita Dove and Harvey Pekar. He has also been a featured speaker at the Miami Book Fair International.
David Moloney ’17
David Moloney worked as a correctional officer for 5 years before returning to school. He received a BA in English and Creative Writing from the University of Massachusetts Lowell, where he won the UMass Lowell Creative Writing Award in 2015.
He earned his MFA from SNHU’s Mountainview Low-Residency program, where he won Assignment Magazine’s student writing contest. He was also awarded the Lynn Safford Memorial Prize.
His debut novel, "Barker House," was published by Bloomsbury in 2020. His work can be found in The Yale Review, Guernica, Lithub, Electriclit, The Common, Salamander, CrimeReads and GEN. He currently teaches writing at SNHU.
Elizabeth Rush '11
Elizabeth Rush is the author of "Rising: Dispatches from the New American Shore," a finalist for the Pulitzer Prize in General Nonfiction, and "Still Lifes from a Vanishing City: Essays and Photographs from Yangon, Myanmar."
Her work explores how humans adapt to changes enacted upon them by forces seemingly beyond their control, from ecological transformation to political revolution.
Her writing has appeared or is forthcoming in the New York Times, National Geographic, the Guardian, the Atlantic, Harpers, Guernica, Granta, Orion, Creative Nonfiction, The Washington Post, Le Monde Diplomatique and the New Republic, among others.
John Vercher '16
John Vercher is a writer living in the Philadelphia area with his wife and two sons. He has a bachelor’s in English from the University of Pittsburgh and an MFA in Fiction from SNHU's Mountainview MFA program. He is a former adjunct faculty member at Chestnut Hill College in Philadelphia.
His flash fiction has appeared on Akashic Books’ "Mondays are Murder "and "Fri-SciFi." He is a contributing writer for Cognoscenti, the thoughts and opinions page of WBUR Boston. Two of his essays published on race, identity and parenting were picked up by NPR, and he has appeared on WBUR’s Weekend Edition. His long-form nonfiction work has appeared in Entropy Magazine.
John’s debut novel, “Three-Fifths,” launched September 10th, 2019, from Agora, the diversity-focused imprint of Polis Books. It was chosen as the launch title for the imprint and received strong advance praise from Kirkus, a starred review from the Library Journal, a starred review from Booklist and from authors such as David Joy.
"Three-Fifths" was also named a best book of 2019 by the Chicago Tribune, and was a 2020 nominee for The Mystery Writers of America’s Edgar Award for Best First Novel. His cover reveal was featured on Entertainment Weekly online. "Three-Fifths" also received an Anthony Award for Best First Novel, as well as the honor of Best Debut Novel by The Strand Magazine's Critics Awards.
You can find him at johnvercherauthor.com, on Twitter @jverch75, and on Instagram at johnvercher75.
Low-Residency MFA Courses & Curriculum
Our two-year program is built around one-on-one study between students and faculty, allowing you to write from home most of the year and be part of a supportive writing community during our twice-yearly weeklong residencies.
During these two years, students work toward completing their creative thesis, a book-length manuscript of publishable quality, turning in monthly submissions to their mentors, and receiving detailed feedback via correspondence and conferencing.
Each semester, students work with their individual faculty mentors in developing reading lists. Students read approximately two books a month, focusing their attention on craft analysis. Every part of the curriculum is designed to help students hone their writing craft and finish excellent theses.
Upon completion of the program, students will have earned a 60-credit graduate degree, which is considered ''a terminal degree'' in creative writing. The Mountainview MFA degree prepares students and qualifies them for applying for college teaching positions.
Required Texts for MFA Program
The texts are the only required texts for the MFA program. Other assigned reading will be determined on an individualized basis, as each MFA student designs a reading list with his or her mentor for each semester he or she is enrolled. Students typically read two books per month, including required texts.
1. "The Elements of Style," Strunk & White
2. "Politics and the English Language," George Orwell
3. "Reading Like a Writer," Francine Prose
1. "How Fiction Works," James Wood (fiction only)
2. "The Art of Memoir," Amy Karr (nonfiction only)
3. “The Nature of the Fun,” David Foster Wallace
3rd Semester (Nonfiction only)
1. "The Situation and the Story," Vivian Gornick
|Courses May Include|
|MFA in Fiction or Nonfiction Campus|
|MFA 511||MFA Workshop: Fiction Writing II||Fiction Writing II is designed to extend a student's understanding of the essential principles of writing excellent fiction. As in Fiction Writing I, students will submit to the instructor every five weeks 10-25 pages of manuscript, double-spaced, in 12 point font, with pagination. In addition, and on a schedule established with the instructor, students will submit three polished fiction writing exercises throughout the semester and ten short essays, each on one book in a reading list compiled by the mentor in consultation with the student. By the end of the course the student should have completed a total of between 60 and 160 pages of polished fictional prose (prose well beyond the first or second draft) and 60 pages of polished fiction exercises.|
|MFA 512||Graduate Fiction Workshop III||Fiction Writing Workshop III builds on the foundations lain in the previous year (two writers' residencies and two six-month faculty-mentored courses, MFA 510 and 511). In this course, students will write a 10- 15-page close-reading essay on a single work of fiction (a novel, story, or story collection) and continue work on their manuscript pages, which by now should start to take the form of a thesis to be turned in at the end of fourth semester. The student should have completed between 90 and 240 manuscript pages by the end of this course.|
|MFA 513||Graduate Fiction Workshop IV||Fiction Writing Workshop IV completes the sequence of four residencies and four mentored semester of reading, critical analysis, writing and participation in workshops, lectures and public readings. In order to graduate, the student will turn in a final thesis of 100 to 300 manuscript pages, either a novel, a collection of stories, or a self-contained section of a novel.|
|MFA 520||Master of Fine Arts Workshop: Nonfiction Writing I||Nonfiction Writing I is a course designed to help the student entering the MFA program in nonfiction grasp the central principles of writing professional-quality nonfiction. Students will submit to the instructor every five weeks 10-25 pages of manuscript, double-spaced, 12 point font, with pagination. In addition, and on a schedule established with the instructor, students will submit three polished nonfiction writing exercises throughout the semester and ten short essays, each on one book in a reading list compiled by the mentor in consultation with the student. By the end of the course the student should have completed between 30 and 80 pages of polished nonfictional prose (prose well beyond the first or second draft) and 30 pages of polished nonfiction exercises.|
|MFA 521||Master of Fine Arts Workshop: Nonfiction Writing II||Nonfiction Writing II is designed to extend a student's understanding of the essential principles of writing excellent fiction. As in Nonfiction Writing I, students will submit to the instructor every five weeks 10-25 pages of manuscript, double-spaced, in 12 point font, with pagination. In addition, and on a schedule established with the instructor, students will submit three polished nonfiction writing exercises throughout the semester and ten short essays, each on one book in a reading list compiled by the mentor in consultation with the student. By the end of the course the student should have completed a total of between 60 and 160 pages of polished nonfictional prose (prose well beyond the first or second draft) and 60 pages of polished nonfiction exercises.|
|MFA 522||Graduate Nonfiction Workshop III||Nonfiction Writing Workshop III builds on the foundations lain in the previous year (two writers' residencies and two six-month faculty-mentored courses, MFA 520 and 521). In this course, students will write a 10- 15-page close-reading essay on a single work of nonfiction (a memoir, work of literary journalism, creative essay, or essay collection) and continue work on their manuscript pages, which by now should start to take the form of a thesis to be turned in at the end of fourth semester. The student should have completed between 90 and 240 manuscript pages by the end of this course.|
|MFA 523||Graduate Nonfiction Workshop IV||Nonfiction Writing Workshop IV completes the sequence of four residencies and four mentored semesters of reading, critical analysis, writing and participation in workshops, lectures and public readings. In order to graduate, the student will turn in a final thesis of 100 to 300 manuscript pages, either a memoir, a work of literary journalism, a collection of essays, or a self-contained section of a memoir or work of literary journalism.|
|Total Credits: 60|
Complement your MFA with a Certificate
Advanced Graduate Studies in Creative Writing (Post-Master's Certificate)
If you’ve already completed your MFA and would like to revise, reconceive or complete a creative manuscript, you may want to check out SNHU's campus-based Advanced Certification in Creative Writing.
This 33-credit program still offers tracks in fiction and nonfiction. However, you'll also get to choose a secondary track, as well:
- The book business and self-promotion
- The teaching of composition
This is also a low-residency program.
Master of Fine Arts in Fiction or Nonfiction (MFA) Cost
Summer Residency Fee
Winter Residency Fee
Frequently Asked Questions
What does low-residency MFA mean?
A low-residency MFA program offers you the best of both worlds: You can attend the program you want from the comfort of your home, but then a few times throughout your studies, you can go on location with your peers for an in-depth residency.
One such program is the Mountainview Low-Residency MFA at Southern New Hampshire University. It's a 2-year program that features 4 residencies at the Mountain View Grand in New Hampshire – each in January and June. (Both months can be beautiful times of year here.)
These residencies include:
- Faculty seminars
- One-on-one meetings with faculty mentors to plan the upcoming semester
- Peer workshops, to discuss each other's writing
- Readings from students and faculty
- Talks and readings by visiting authors, editors and agents
The residency location – set on 1,700 acres of land – is inspiring and beautiful. It's been a hotel since 1865. In fact, Charles Dickens even spent some time at the Mountain View Grand during one of his American tours.
Are MFA programs hard to get into?
Many MFA programs limit the number of people accepted into a program, meaning there can be some competition to earn one of the spots in them.
At Southern New Hampshire University, about 16 students are accepted each semester into the Mountainview Low-Residency MFA.
The small number of students in each fall and spring cohort allows each member to get more 1-on-1 time with his or her mentor.
It can also give you the chance to get to know the other writers in your cohort, since you'll have the opportunity to get to work with them at each of your program's 4 in-person residencies.
By limiting the number of students each semester, we allow you to build a community that you can take with you far beyond graduation.
What will I learn in an MFA program?
In a creative writing MFA program, you'll be hyper-focused on developing your own writing skills.
An MFA program can have a very different structure from other master's programs. For example, the Mountainview Low-Residency MFA at Southern New Hampshire University is built around 1-on-1 mentorship instead of traditional classes.
You'll take part in 4 semester-long workshops, worth 12 credits each. Here, you'll focus on a manuscript that you'll continue building off of throughout your 2-year program – a piece that will be polished and professional.
You'll also spend time penning a collection of essays, writing exercises and short essays throughout the program.
In between each semester, you'll take part in a weeklong, in-person residency. There, you'll continue to meet with the cohort you've been with throughout your program and participate in peer workshops to review one another's work.
The residencies also offer opportunities to meet with faculty, authors, editors and agents. You'll get facetime with your faculty mentor to discuss the upcoming semester.
Overall, an MFA program allows you to dedicate time to your writing, have your work reviewed regularly by a professional and build a community of like-minded individuals.
Is an MA or MFA better?
A Master of Arts and a Master of Fine Arts degree are different degrees. You'll take different courses, and they have different outcomes. So being the "better" degree is subjective.
When it comes to creative writing programs, it's important to decide what your goals are and what you want to get out of it. And at Southern New Hampshire University, you have options.
If you go the MA route at SNHU, you'll take 36 credits to earn your master's online. The online master's in creative writing allows you to both study and write creative work, and you'll also get to take part in peer workshops to help you refine your craft.
The MA also requires a teaching course, which could allow you to help others rise to a new level.
Plus, with the MA, you'll also get to choose from 4 concentrations, should you want to add one to your program:
If you choose to pursue your MFA at SNHU, you have 2 options: online or low-residency.
The online MFA in Creative Writing is an option for those who are unable to travel. This 48-credit master's program allows you to focus in a wide range of fiction genres, like contemporary, romance, young adult or speculative fiction.
When you finish an online MFA program like the one at SNHU, you should be able to walk away with a publishable piece, better understand the publishing industry and discover opportunities to showcase your work.
A bonus feature to the online MFA is an embedded certificate that's part of the program. You can choose either the certificate in professional writing or online teaching of writing, depending on where you'd like to take your career.
Courses in the online MFA include topics like social media marketing, the business of writing and the publishing ecosystem – topics that can better help you get your name in front of your potential audience.
In addition to the online program, SNHU offers a low-residency MFA writing program. The 2-year program is part mentored correspondence, part weeklong residencies in New Hampshire.
This 60-credit program is highly focused on your choice of fiction or nonfiction. In addition, only about 16 students are accepted each semester, creating a more intimate experience.
The program is intensely focused on completing a manuscript that's prepped for submission to editors. But the program also gives you the tools to teach creative writing, and it positions you for opportunities in the publishing industry.
It's best to study the courses within each program to determine which program is right for you.
What can I do with an MFA?
An MFA is a degree that specializes in one of the fine arts, including creative writing, visual arts, filmmaking, theater, performing arts or graphic design, among others. Those who pursue an MFA tend to have a creative goal in mind, like becoming an art director or a private acting coach.
With an MFA in Fiction or Nonfiction – like the Mountainview program at Southern New Hampshire University – your goal would most likely be to write and publish a book. You can use your publication history to become a teacher of creative writing at the college level.
Because one of the outcomes of the Mountainview program is to have each student finish with a manuscript of professional quality, you'll have the potential to get on that track even before you graduate.
Is MFA a terminal degree? Is MFA equivalent to PhD?
Yes, an MFA is usually considered a terminal degree.
A terminal degree is one that's academically recognized as being the furthest level of study one can pursue in that area – like the Mountainview MFA at Southern New Hampshire University. It's oftentimes what's needed to qualify to teach creative writing at the collegiate level, combined with a publication history.
Terminal degrees at the master's level aren't as common; typically, that designation goes to the PhD. And while some schools in other countries offer a Doctor of Fine Arts, it's fairly unheard of in the United States, unless it's being given as an honorary degree.
And while they're both considered terminal degrees, an MFA is not academically equivalent to a PhD.
Can you get an MFA without a BFA?
This may differ by school, but a BFA is generally not necessary to pursue an MFA – as long as you meet the institution's admission requirements.
While a bachelor's degree is required to begin a master's program, the type of undergraduate degree may not matter.
With Southern New Hampshire University's Mountainview MFA program, there's no requirement about what bachelor's degree you've already earned. We understand that many people out there change careers over their lifetime, and we try to make it easier for you to make it happen.
At SNHU, admission requirements include:
- Submitting undergraduate transcripts
- Writing a personal statement and assessment
- Turning in a writing sample
- Letters of recommendation
Your writing talents today matter more than which undergraduate program you may have studied years ago.
How much does an MFA in creative writing cost?
Costs will vary from school to school. But it's certainly possible to find an affordable MFA program.
The total tuition for the low-residency MFA program at Southern New Hampshire University is only $37,320 for the full 2-year program.
And that's the initial price. You may qualify for financial aid, reducing your current payment through grants and loans. SNHU's Student Financial Services team specializes in helping students create customized payment plans that work for their specific situations.
In addition, there are scholarships available just for those in the SNHU Mountainview MFA program, helping you make an affordable program even more attainable.
Connect with a financial aid specialist today to learn how you can make the cost of an MFA work for you.
Is an MFA in writing worth it?
There are plenty of benefits to earning your MFA in creative writing – a major one being the credibility it can bring to your work.
If you want training from accomplished writers, feedback from professionals and a community of peers to take the journey with, then an MFA in writing – like the low-residency program at Southern New Hampshire University – certainly could be a good direction to take.
Southern New Hampshire University is a private, nonprofit institution accredited by the New England Commission of Higher Education (NECHE) as well as several other accrediting bodies.